So overused and misunderstood during its heyday that people still believe it to stink, Tommy Girl is the king and queen of all fresh scents. Creator Calice Becker must surely be on more than a few hit lists for inflicting friends and families across the country with this and other big bang theory fragrances like Beyond Paradise, J’Adore, and DKNY Energy, which, as the writer Bard Cole noted, smells like sweaty rose addicted to pipe tobacco. Becker's art is representational, elucidating the shape, texture, and sensation of the natural world with the kind of painterly sense of light and color you see in the work of Fairfield Porter (above). It’s as if an entire wildlife landscape were shoved rather than distilled into a bottle of Tommy Girl, and that might be a little much for many people, yet it’s a startlingly comprehensive vision of feel-good sunniness, where every detail, exposed to that golden light, registers with precision clarity and breathtaking, mesmeric depth, right down to the dirt underfoot.
It might be impossible for anyone to wear Tommy Girl anymore. Maybe it shuts the nose down, the way paint thinner, gasoline, and formaldehyde, all instantly recognizable, do. Then again, mass-market scents like this are so over-hyped that the very way we wear them—when, how, with what, with whom—is conditioned. Casual in caps is the buzzword for all Hilfiger fragrance campaigns. The wind is blowing through your salted blond hair. Your shirt isn’t ironed because you’re out in the country or at the beach and everyone knows you have money anyway, so why make the effort? You’re tan because God wants you that way. There are no ants in the grass because you’re barefoot and they know better than to mess with God’s chosen people.
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