Dioressence: Moss Appeal

Diorella, Diorama, Diorling, Diorissimo and Miss Dior seem to get the lion's share of appreciation when it comes to older Dior fragrances, and while I like several of them very much, I think my favorite is the newest of the old, Dioressence.  Granted, of the lot, I've never smelled Diorling and Diorama in anything close to original form, and the Diorling reformulation is pretty pale compared to what it must once have been, so maybe I'm biased.  I should also say that I haven't smelled the most recent version of Dioressence, either.  Still, for me, the original 1979 Dioressence would be hard to beat.

Guy Robert, the perfumer behind Dioressence, created several other well known fragrances, a few of which remind me more than a little of Dioressence in certain ways.  I can smell some of the dusty incense quality from Hermes Caleche in Dioressence's heart, for instance, and something of Amouage Gold in there as well.  Dioressence is a chypre and smells quintessentially of oakmoss to me once you get past the pronounced geranium, galbanum, and rose up top.  In fact I would say that the most interesting movement of the fragrance for me is its seamless segue from galbanum to oakmoss, creating an interesting, textured progression from one distinct green note to another, each of which would seem to get lost taken together.

Osmoz lists the notes as the following: aldehydes, orange, galbanum, bergamot, carnation, geranium, rose, cinnamon, benzoin, patchouli, oakmoss, and vanilla.  Violet is included in the description but not the pyramid.

I suppose there are those who will smell Dioressence and sense nothing but a wallop of old style patchouli.  There's certainly enough in there.  And the patchouli combined with the cinnamon can seem like a lighter version  of H.O.T. Always by Bond No.9, or a slightly more domesticated animal relation to the original Givenchy Gentleman, but to me the cinnamon and patch seem like embellishments, meant to support or underscore the primary green notes.  Even the carnation, geranium, phantom violet and rose seem to hover around in the background to my nose, making the fragrance a lot more masculine than most modern feminine fragrances.  No guy raised on a steady diet of mainstream sports colognes is apt to agree with me, of course.  Dioressence reminds me of another pretty masculine old feminine, Trussardi, which was released in 1984

Dioressence feels a little moodier than the other vintage Diors.  Diorella is sunny and succulent; Diorissimo quite upbeat as well.  Miss Dior, while not prim, is certainly more sedate than Dioressence.  Something about Dioressence reminds me of some seventies bohemian hang out, infested with velvet pillows and thick with lingering incense smoke.  Miss Dior would walk into such an establishment clutching her purse pretty tightly.  Staring at supine Dioressence, spread across a series of batik-patterned throws and a thick shag rug, she'd wonder whether something hidden in the carpet might jump up onto her tweed jacket and hitch a ride home with her.  In style it certainly straddles the hallmark fragrances of the 40s and 50s and the bold pronouncements to come in the 80s.

It has moderate projection and lasting power and for the most part settles down to a nice soft mossy haze after about thirty minutes to an hour or so on me.

2010 in review (version Abigail)

2010 was the year I became exhausted from the onslaught of new releases, most notably the high end niche market. 2010 was also the year I began to lose hope for the future of mainstream perfumery, given that Celebrescents have taken over the market and aren’t going anywhere. It was also the year I found the largest number of reformulations; some of which people aren’t even talking about. I adore vintage perfumes, but I can’t spend my time chasing rainbows, I would much rather find something current and fresh than chase expensive 35 year old vintage bottles whose top notes have been lost.

On the whole this was the year I’ve been the most annoyed, jaded and least excited about anything happening in perfumery. But I’ve forced myself to stop and take note of the fact that if I’m still enthused about a handful of perfumes each year, well, that’s all it takes to keep the fires burning. As long as there are a half dozen or so perfumes that rock my world, whether they be new releases or plain old new to me, that’s what this hobby is all about. Because, let’s face it, I can only wear and enjoy so many fragrances in my lifetime and finding 5-10 winners each year is enough bounty to add to my already burgeoning collection.

It also hasn’t helped that, as Brian has already mentioned, I, too, felt a similar frustration with a strong current of snobbery, elitism and hypocrisy in the perfume blogosphere. For me, this fueled a sense of disinterest in perfume. I finally decided that I should continue to write because I want to offer the perfume community exactly what I, myself, set out to find when I read other blogs. I will continue to write and read only honest, enthusiastic, passionate, moving and fun posts. I would never write and will avoid reading anything with a snobbishly critical tone or a veiled intention or affiliation. I love smelling perfume and that’s all I’m here to communicate.

One thought I’d like to include is that I am so thankful for YOU. The biggest reason is that you make me feel LESS WEIRD!! This Christmas I visited family in North Carolina and for a solid week I felt like an oddball with a strange habit. Three times (not once, not twice, but THREE TIMES) my Mother told me that “so-and-so” requested I not wear perfume when we went out. The craziest part is that all three times were individuals I have never met before so they couldn’t have previously met me whilst wearing a kiloton of Shalimar. I’m sure my Mother mentioned to these folks that I have a business and a blog that’s all about perfume and these individuals decided they didn’t want to spend even a few hours around someone who might be wearing scent. Nobody in my family, extended family or even the endless encounters with Mother’s friends was remotely interested in perfume; they just wanted to be sure I wasn’t wearing any. This made me realize what a unique community we have here. I appreciate you and I value your interest in perfumery and I am hopeful that our numbers grow so I don’t have to spend much time feeling like a crack addict billowing wafts of Alahine in a corner by myself. It’s amazing how many suddenly have asthma when the topic of perfume comes up. Perhaps needless to say, I didn’t wear perfume for an entire week. I only wore it to bed at night.

2010 was the year I found a few beautiful new releases as well as a few scents that were just new to me. Typically I’m a lover of orientals, florientals and chypres but I found myself enjoying a bunch of sheer, light, seemingly simplistic beauties in 2010. Here’s a stream of consciousness list:

Atelier Orange Sanguinne and Trefle Pur: The entire Atelier line is about pure and natural smells. These fragrances smell so realistic, gorgeous and simple it’s easy to overlook them. If you’re like me and tend to prefer orientals, chypres or anything complex you might think “oh yawn” when it comes to a line like Atelier. But, honey, I gotta tell you, Atelier is killer in warm weather. Orange Sanguinne is the juiciest and most pure and realistic blood orange I have ever smelled. On me, Orange Sanguinne never goes sour; it stays perfectly zesty and sweet. Trefle Pur is a softly green scent, all meadows and clovers; it’s so simple yet so perfect for those occasions when you desire a refreshingly cool green scent.

The Different Company de Bachmakov: The Different Company has some great fragrances, most notably Sublime Balkiss and Oriental Lounge. TDC de Bachmakov is a treat for lovers of tea and spices. It wears softly yet stays with you through most of the day. It’s unusual but not overly so, you can wear this without feeling a little odd.
Canturi eau de parfum: I should have reviewed Canturi earlier. Canturi is an old school oriental fragrance. My only complaint is that I wish it was a bit more potent and projected more as it’s rather soft and subtle for an oriental. Canturi isn’t groundbreaking or unusual, rather it’s a classic oriental which was released in 2010, a year in which most releases were anything but classically styled. This alone is why I like it so much. Canturi leans toward the Far East for me; it’s very much an Asian inspired oriental. I smell dry plums and sake and it’s never especially sweet, it’s exceedingly understated. Canturi is a gorgeous oriental housed in my favorite bottle of the year.

Annick Goutal – the whole line: It was earlier this year that I stopped to realize just how exceptional everything from Annick Goutal is with a week long series on several fragrances from AG. There are so many beauties from AG and their newest fragrance called Rose Splendide took me by surprise. I’m never looking for a rose soliflore, but Rose Splendide is not just a rose soliflore. Instead, it’s an intensely green rose, think of the privet scent in AG’s Eau de Camille and add a dash of fresh roses – that is Rose Splendide. Rose Splendide is another one which seems so simple and sheer yet manages never to turn sour the way some rose scents do and also maintains its own unique green character in an endless sea of rosy fragrances.

Guerlain Chamade: I’ve always liked Chamade but just this year I took the time to actually wear Chamade, not just sniff it, and I fell hard. Five years ago, I would have said there was a strong ‘hair spray’ note in Chamade but somehow this has vanished for me. Chamade is astonishing and I’m trying to figure out why I think I must have it in pure parfum. I have so much perfume yet I feel I need a bottle of Chamade in pure parfum. Like soon.

Dawn Spencer Hurwitz: DSH is an enormously talented perfumer and I personally find her orientals and gourmands to be fantastic. This winter I’ve been enjoying Mahjoun, Cimabue and Parfum de Luxe lots and lots. DSH American Beauty is one of my favorites, if not my most favorite, rose perfume. American Beauty wears well year ‘round but I especially enjoy it in winter.

Frederic Malle Le Parfum de Therese and Dior Diorama: both are sublime creations from Edmond Roudnitska; Diorama was created in the 1950’s and Le Parfum de Therese is essentially Diorama’s modern offspring. Diorama wears like an evening scent on me and LPdT feels like a brighter, clearer day-time scent.

Serge Lutens Bas de Soie: a seemingly simple, sheer and lovely Lutens. Bas de Soie snuck up on me and I love its soft iris/hyacinth/Chanel-esque charms. I like it more than Chanel 28 La Pausa which only lasts 17 minutes on me. Bas de Soie lingers for awhile.

Profumi del Forte Roma Imperiale: I previously reviewed this one; it’s basically the softest and most beautiful oriental wrapped in bunny ears.

Honorable mentions:
Jean Patou Joy: I know, this is about as exciting as listing Chanel No. 5, but have you really worn and smelled Joy lately? It’s an animalic floral with attitude by the suitcase.
Guerlain Mitsouko Fleur de Lotus: WHY was this limited edition? It is so incredible!
Ormonde Jayne Tiare: reminds me of Chanel Cristalle but I like it even better.
Solange Cosmic: I’m fixated on this one lately.
Teo Cabanel Alahine: my BFF 4-evah
Vetiver & Leather quandary: I’ve finally concluded my efforts to find a vetiver and a leather that I like. I’m throwing in the towel on vetiver fragrances; I hate them all. I like some classic fragrances considered leathery like Robert Piguet Bandit, but for the most part I don’t like anything that’s strongly leather focused; with the exception being Tom Ford Private Blend Tuscan Leather. Tuscan Leather is dry and herbal and reminds me of the New Mexico desert. It reminds me of cowboys riding on worn leather saddles. This one I love, especially on men.

Happy 2011 to all! And thank you so much for being here :)

Other participating blogs:
Scent Hive
The Non-Blonde
Smelly Blog
Roxana Illuminated Perfume
DSH Notebook
EauMG
A Rose Behind the Thames
All I Am a Redhead
Schreibman's Live
Portland Fragrance Examiner
CaFleureBon
Persolaise
Sorcery of Scent

Christian Dior Diorama (reissue)

Some important questions: Where has Diorama been all my life? How is it that it’s taken me this long to procure a bottle?

I have never smelled vintage Diorama. I’m afraid to look for it now. I’m in love with reissued Diorama, and feel the need to wear Diorama and only Diorama for awhile to make up for lost time.

Diorama reminds me of Frederic Malle Le Parfum de Therese (also created by Roudnitska), which I smelled first and fell in love with first. Diorama and Therese seem to be very close sisters, with Diorama outdoing Therese in the sillage and longevity department and also not showcasing any aqueous nature. To me, Diorama is a classic fruity floral, but it appears to be categorized by the experts as a fruit chypre. I’ve read there are base notes of vetiver, oakmoss, civet and patchouli but these are not discernable for me, not until the way dry down. Fruits and white florals are showcased here; it’s all about melon, plum and peach with jasmine, tuberose and very soft spices if you’re looking for them. Perhaps it is because of this fruity quality, with fruity floral fragrances being an enormous trend of the past decade, which makes Diorama seem completely modern to me. I thought the same thing when I first smelled Therese; it seemed strange that Therese was created decades ago, because any sort of fruitiness seems modern. Maybe it’s just my own perception but mossy chypres and powdery scents seem old fashioned, while fruity fragrances do not. The fruity quality in Diorama is light, bright, effervescent and blended with white florals and soft spices. There’s also some similarity to YSL Yvresse, which is another sparkling and classic fruity scent worth checking out.

I’ve read several reviews which describe Diorama as buttery. Oddly, Diorama is the opposite for me, it starts off rather sharp and only in the way dry down would I describe it as buttery. One spice I notice is saffron. I have no idea if saffron is among the listed notes, but I dig saffron and it works like magic here.

Coming of age in the 80’s I have the tendency to prefer big fragrances. Diorama isn’t crazy big, but it’s big enough to please me (smirks at perverseness of this sentence). I’m of the thinking that good sillage and longevity mean I’m getting my money’s worth. For those who read ISTIA regularly, you won’t need to ‘spray yourself wet’ with Diorama (smirking, again, what’s with the perverted minds?!).

I read a few reviews on other perfume blogs before writing my own and realized I have a very different experience with Diorama. Diorama doesn’t make me recall Paris or women in fur, pearls, diamonds and couture evening gowns. Instead Diorama smells youthful, gregarious, brimming with a zest and zeal for life. Diorama smells like the study of nature on an early spring day. The essence of Diorama is a verb; it’s budding, growing, juicy and bursting forth with fresh natural vapors and dewy realism.

Notes are listed as: melon, peach, plum, jasmine, rose and tuberose.