Monk by Michael Storer: A Review

This is a long overdue review of Monk. Michael Storer has six fragrances in his line and Monk is my favorite. I like all the others, too (Kadota & Stephanie are my two other faves), but Monk is the one for me.

Here are the listed notes from Mr. Storer: Birch tar oil, frankincense, civet, musk, cocoa absolute and sandalwood.

I smell much more than the above list of notes. I also smell a smoky tobacco and leathery note which is just sublime. The musk has an ambery edge and if I really really focus I can detect the cocoa absolute but you wouldn’t notice this unless you read the notes. The cocoa absolute is probably what gives Monk is easy-wearing appeal. While it’s dark, sensual, gothic and musky, that cocoa note adds a smidgen of sweetness that rounds it out and makes it easily wearable and not truly a weird gothic creation. To me, Monk seems like a very modern take on old classics like Bandit, Tabac Blond and Cabochard by Gres. Don’t get me wrong, I love Bandit, Tabac Blond and Cabochard, but these aren’t the perfumes I wear to the office or on a day when I need to consider others. Monk manages to simultaneously be a perfume I can wear anywhere, yet still maintain it’s slightly unusual and musky aroma. Monk is a well-blended fragrance, none of the notes stick out obtrusively over the others, and it’s a smooth and balanced smoky/musky/leathery masterpiece. Monk, like most musky fragrances, wears pretty close to the skin. Congrats to Michael Storer for creating a gorgeous fragrance that is unusual yet completely wearable. And at $82 for 2 fl oz, Michael Storer’s fragrances don’t break the bank and that is always appreciated.

Tribute to the Indies

I'd like to express my gratitude for the indie perfumers. I’m focusing on the indies, not the niche perfumers, who seem to be an entirely separate category. Niche perfumers are usually well-funded and spend much of their production budget on sexy packaging, designs and bottle labels. The true indies, are usually one-woman/one-man acts, who are seriously passionate about fragrance. Most indie perfumers, to me, seem more adventurous than any large perfume house. They might have little financial backing but they are willing to take risks, because the juxtaposition of scents intrigues them. I love that indie perfumers aren’t necessarily concerned with what’s trendy, what the “it” note is that year (pink pepper!). I imagine indie perfumers to create what they think will be interesting.

To illustrate this point, an article in the New York Times from a few years back quotes Beth Terry responding to a question about the livelihood of an indie perfumer:

“….it’s not an empress's ransom, exactly, but enough to fuel a perfumer's creative vision.
I don't want to rule the world; I just want to keep experimenting.'' Recently, balmy spring days made her think of sangría. ''Don't you love that smell? Wouldn't you like to bottle it?'' Ms. Terry asked. '' I think I will,'' she said.

Being able to create and bottle up whatever they please, is what allows many indie perfumers to make some unusual and stunning fragrances. Take, for example, Midnight Violet by Ava Luxe. Until I smelled Midnight Violet, I didn’t like violet scents. Ava Luxe (Ms. Serena Franco) took violets, and removed all the syrupy sweet powdery-ness and placed those delicate blue & purple flowers in a dense forest of damp earth, balsam, hemlocks, cedar and the dark of night. It’s as if she combined yin and yang, masculine and feminine, day and night into one fragrance. Violet is almost exclusively associated with uber-feminine girly perfumes. And earthy, balsam, cedar scents are most often associated with traditionally masculine fragrances. Ava Luxe has married the two and it works like a Shakespearian sonnet. I don’t mean to focus solely on Ava Luxe, I have a whole slew of indie perfumers that I’d to honor by listing them here but Midnight Violet sticks out for me because this is the perfume that allowed me to finally appreciate violet.

Here are the indie perfumes that I’m familiar with, I’m sure there are others, but let’s give a big round of applause for:

Aftelier
Aroma M
Ava Luxe
Black Phoenix Alchemy Lab (memorable website)
Creative Universe by Beth Terry
Dawn Spencer Hurwitz
Keiko Mecheri
Mandrake Apothecary
Michael Storer
Neil Morris (just discovered this week, where have I been?)
Possets Perfume
Sonoma Scent Studio
Soivohle' by Liz Zorn (adding on 7/15/08, Gail pointed this out to me in her comment and I knew I had forgotten someone!)
Strange Invisible Perfumes (SIP is now being carried at Barneys, is SIP still indie?)
Tauer Perfumes (Andy Tauer has hit it big time, Aedes de Venustas is now carrying his line, so can we still consider him an indie?!)

I’d love to know of more indies, I know this is a short list. I have questions next to some because they’re now being carried at exclusive shops and I wonder if this will take away their indie status and potentially impact their creativity?