Showing posts with label Lalique Le Parfum. Show all posts
Showing posts with label Lalique Le Parfum. Show all posts

Tuesday, January 17, 2012

Lalique Le Parfum: A Review


 
I’ve been wearing Lalique Le Parfum occasionally for several years.  It’s interesting the way I’m noticing different facets of familiar fragrances these days.  Initially I thought Lalique Le Parfum was a beautiful, sweet vanilla-oriental, but slightly boring.  I still think of Lalique Le Parfum as a beautiful sweet vanilla-oriental but now I find it to be an unusual vanilla fragrance.  It’s a sweet vanilla scent with a striking twist which sets it apart from most other vanilla-orientals.  


The notes list is fairly helpful with this one.  I’ll post the notes here and then discuss further below


Top notes: bay leaf, bergamot and pink peppercorn
Middle notes: jasmine and heliotrope
Base notes: sandalwood, tonka bean, patchouli and vanilla


Lalique Le Parfum begins with a minty-pepper quality positioned atop a boozy whipped vanilla base.  The vanilla is so frothy and fluffy it makes me think of a down-stuffed pillow, filled with the finest white feathers but also the softest and most powdery marshmallows.  The minty and peppery top notes are slightly green and herbaceous and a wonderful contrast with the sweet fluff found beneath.  What I’ve decided after many years is that Lalique Le Parfum is unusual because it showcases a beautiful tension between two seemingly contrasting accords, the minty-pepper top over the sweet, fluffy base.  For me, the top notes stick around throughout and never leave the vanilla all by itself.   There is a touch of patchouli in the base, which I don’t think of as especially noticeable, but I know it’s there because it tempers the sweetness of the frothy vanilla and almondy heliotropin.


I normally can’t wear vanilla-centric fragrances so you know if I love this there must be something different about it.  Lalique Le Parfum is not an edible gourmand.  Even though I’ve described it as smelling like fluffy vanilla and marshmallows it’s still an abstract oriental and not a foodie creation.  Lalique Le Parfum makes me think of candy canes and powdery snow.  There’s a chilly effect and I imagine myself peering through a frosty window from the outside as a wintry wind swirls snowflakes around me as I gaze into an elegant dining room decorated in white and gold with a centerpiece made of peppermint candies. 


Dominique Ropion is the nose behind this wonderful fragrance.  It was released in 2005.  When it was first released it was expensive, but now it can be found for a fraction of it's retail price.

Other reviews of Lalique Le Parufm:


Wednesday, January 7, 2009

The Caretakers


Back in December we were holding a big 20% off sale at The Posh Peasant and one of our customers ordered Keiko Mecheri Hanae, which just ran out of stock that day. We contacted her (let’s call her Anne) asking if she wanted to wait for it while a new supply came from the manufacturer or whether she’d like something right away and wanted a different perfume. Anne replied that she had no problem waiting for KM Hanae, because this was the perfect fragrance for her. She told me she’s a pediatric nurse, and she wears Hanae because it’s beautifully soft and comforting and hands-down the most unobtrusive and lovely floral scent she’s ever found to wear at a hospital around infants and children.

This struck me as such a wonderful notion. So many of us talk about wearing perfume solely for “ourselves,” which usually means we still adore something like Serge Lutens Tubereuse Criminelle even though during the first hour anyone around us might get little whiffs of menthol and gasoline! But all of us in an office environment or any sort of work environment where we’re in contact with others need to be mindful of the impact our scent has on others. Now, I’m not interested in getting into the whole debate about banning fragrance in the office (which I think is terrible) but instead looking at the way we smell and how this influences others in our day-to-day lives.

What Anne brought to my attention is that there are professions where one wants to smell nice, but nice in a way that takes those around you into consideration, just as much as your own preference. Anne had found the perfect scent with Keiko Mecheri Hanae. Since this communication with Anne, I think of Hanae as a softly soothing and “caring” smell.

Other fragrances that I’ve come to group into this caretaker category are: Lalique Le Parfum, Miller Harris Couer d’ete and Guerlain L’Instant.

Lalique Le Parfum is the only oriental fragrance from Lalique but it’s a very soft and non-challenging oriental. LLP is mostly a vanillic floral scent with gentle dashes of spices. The list of notes may make you think it’s a big powerful fragrance but it’s not, it’s so comforting and pretty. Sometimes finding a perfume that is just perfectly pretty is a real challenge. Lalique did it with Le Parfum – it’s luminous and I love it.

Miller Harris Coeur d’Ete is another lovely caretaker fragrance. The story goes that Lyn Harris created Coeur d’Ete while she was pregnant; she wanted something that would nurture her senses. Lyn Harris created Coeur d’Ete with some unusual notes, it includes white lilac, cassie & heliotrope, blended with things like chocolate bean, banana and liquorice. Coeur d’Ete is an especially soft and gentle floral and even though it contains chocolate, banana and liquore, the gourmand notes do not overtake the florals.

Guerlain’s L’Instant, perhaps the least loved by true Guerlain fanatics (Guerlainiacs?!), is another caretaker contender. The notes read as seemingly similar to Shalimar but it’s nowhere near as aggressive as Shalimar. L’Instant starts with a citrusy burst but mellows down to a soft honey-vanilla-amber floral, with the floral note bearing the most resemblance to magnolia flowers. L’Instant strikes me as creamy and most notably it’s a gentle, modest scent that I imagine anyone smelling on you would find lovely.

This is just a handful of fragrances that strike me as being soft, gentle and agreeable to the wearer as well as to those around you. Surely there are many others.

Thursday, January 1, 2009

A Letter to Dominique Ropion


Dear Dominique Ropion,

Two of your works of utter genius have, over the years, come to smell like “me.” First, there was Givenchy Amarige, which I wore non-stop in the mid-90’s, then, more recently, came Carnal Flower, which is so breathtaking and addictive that I’ve owned and drained 2 large bottles since 2006. (2 large bottles might seem like a bigger feat if you knew how many bottles I have).

Just this year, I found Caron Aimez Moi and Lalique Le Parfum and I will never be without either of these gems. Both Aimez Moi and Lalique Le Parfum are slightly less overtly vivacious compared with your other creations but each spotlight that trademark Ropion gorgeousness.

Thierry Mugler Alien is among the only jasmine fragrances that I love. In fact, it took a Ropion jasmine, in the form of Alien, to let me see and wear the beauty of a jasmine fl-oriental. Dominique, I didn’t even realize Alien was your work until recently, I should have known all along!

I’m still considering one of your creations, Une Fleur de Cassie. I haven’t ventured outside of the house wearing this yet ~ and I’m not sure if I love it or hate it ~ but Cassie has engaged me, held my attention, and it won’t let me go.

Vetiver Extraordinaire is just that, an extraordinary interpretation of vetiver. It stands out in the crowd, it sings, it’s a masterpiece.

Dominique, do your creations reflect your own personality? I admire the gregariousness of your scents. I enjoy the voluptuous, flirty, sexy, femininity captured in your perfumes. Your fragrances aren’t shy by any means, they love the attention, they’re comfortable in the spotlight, but they’re always warm and kind. Ropion perfumes aren’t introspective or subtle, they’re sociable, to be enjoyed in the company of others.

Rather than following the modern trend toward more discreet, sparse fragrances, you’ve continued to create big, multi-faceted, exaggerated scents. For this, I salute you. To me, a good perfume projects and has sillage. Your works can be counted on for proper projection and sillage. To this extent, your art contains a practical element, and I couldn’t be more delighted.

Carnal Flower, Alien & Amarige each strike me as exaggerated versions of flowers. Carnal Flower is tuberose under a microscope with big chunks of imagination; Alien does the same for jasmine and Amarige does the same for mimosa & orange blossom. The exaggerated flower analogy makes me think of Georgia O’Keefe and her flower paintings. O’Keefe painted enormous renditions of flowers, as if under a fantasy microscope, so a white petal wasn’t just a big white petal, but instead the detail of all the colors that came together to affect that beautiful white; the blue, pink and gray along with the white.

Dominique, this was meant as a note of gratitude and admiration. You’re a genius perfumer. And, just as important, never lose your gift of exaggerated beauty, and do continue creating fragrances that project and last.

Yours truly,
Abigail

PS: if you’re taking requests these days, I’m still hankering for a gorgeous osmanthus, or another mimosa jewel or perhaps an intriguing linden? Just thought I’d ask…