Tuesday, July 14, 2009

Sample Drawing for the SMELL Reader


To enhance the quality of your reading experience, we at I Smell Therefore I Am are offering a sample drawing for some of our reviewed fragrances. We enjoy your comments and the conversatioins we've had with you over the last year and recognize that not everything we've reviewed is something you're necessarily familiar with or own. The winner can pick four fragrances from the following, all of which we've discussed in the past several months:


The drawing will take place next Wednesday, July 22nd. Happy browsing. To be considered, pick one of the above posts and contribute to the conversation by adding a comment here on the perfume or topic in question.

Saturday, July 11, 2009

Estee Lauder Private Collection Jasmine White Moss

There was a discussion on POL recently started by cubby titled “Estee Lauder Fragrances, Why do they last so Long?” Estee Lauder perfumes do have the most wonderful longevity, don’t they? Many of the comments mirrored this sentiment and expressed their gratitude that Estee Lauder is committed to quality fragrances (“best bang for the buck” is what one POLer wrote).

Last year I was pleased by the launch of Sensuous – a mainstream fragrance that ventured into wooded territory. I was happy because EL was launching something different from the usual fare at Sephora and it made EL seem brave. Ultimately Sensuous left me cold, it was an utter snooze, but I’m still happy that EL went for it.

I was cheering for Estee Lauder again this year with news of Private Collection Jasmine White Moss. A green chypre for 2009 seems very brave to me. A green chypre also seems like a nod to us perfume fanatics, because, who else would be in the market for this sort of fragrance, but us, the complete fragrance junkies?! I mean, this is NOT a fruity floral, nor another Angel wannabe (this trend seems to have ended), or another safe clean floral number to bore us to tears.

No offense to others who have reviewed Estee Lauder Private Collection Jasmine White Moss (henceforth EL PCJWM) but I don’t see any reason to make side-by-side comparisons between it and other heavy hardcore chypres from thirty years ago. When I reviewed Cristalle Eau Verte and Mitsouko Fleur de Lotus I made comparisons to the original fragrances for obvious reasons but with EL PCJWM I wore it all by itself and made no such comparisons.

My initial reaction was “wow, this is really oakmoss-y.” The first 15-20 minutes spotlight oakmoss, and while I know it isn’t the real deal (given the maddening IFRA restrictions), this smells like good oakmoss. I went to Neiman’s first thing this morning with the intent of sampling EL PCJWM and then running several other errands, having lunch and doing a bit more sniffing later in the afternoon. I kept sniffing my wrists throughout the delay, evaluating and taking note of it’s development. It reminds me a bit of the original EL Private Collection as well as Azuree in it’s galbanum green-ness (as March on Perfume Posse also suggested). Call me the contrarian but I really love EL PCJWM, and I think I love it precisely because it is a modern chypre. To give you a point of reference, EL PCJWM reminds me a bit of an airy, less dense and complex, Ralph Lauren Safari.

Once the fragrance dries down the oakmoss and aldehydes burn off and what you have left is a soft green floral. The jasmine is obvious at the start but after time passes it becomes mostly a mixed floral affair. It’s a lovely composition. It’s a weightless, carefree and easy-going modern chypre. I don’t find fault with it because it’s much less smoldering than chypres of years past, I like it for it’s faceted yet wispy quality. Similar to the way I ended up liking Shalimar Light, while I’ll always love original Shalimar, there’s a place in my heart for modern chypres, for lightness, and simple beauty. The galbanum & vetiver notes (I think) keep the fragrance from straying into “sweet” territory and it stays nicely dry throughout.

After lunch and other errands I returned to Neimans and Nordies and sniffed a whole bunch of other perfumes. Everything else just seemed mediocre. EL PCJWM really stood out, this is a winner, so I bought myself a bottle. I decided it was that good.

Taken from the Estee Lauder website:
Notes: Black Currant Bud Absolute, Galbanum Absolute, Bergamot Absolute, Aerin's Jasmine Sambac Absolute, Estée's Ylang Ylang Absolute, Estée's Jasmine Absolute, Violet, Orange Flower Absolute, Orris, Patchouli Heart Absolute, Vetiver Absolute, White Moss Mist Absolute (an Estée Lauder exclusive).

Truth in Advertising: Kenzo Ca Sent Beau

Reading "summer faves" on the various blogs over the past few days, I noticed a trend weighing very robust fragrances against fresh citrus eau de what-have-you's. It isn't so counter-intuitive to wear thick, heavy, persistent scents during the hotter months, though you'd never know it from marketing campaigns and seasonal releases. As mentioned on the grain de musc blog, "Perfumes blossom on moist flesh: as they rise in the heat, they display more facets than at any other time of the year…"

Still, if you find yourself wanting the best of both worlds, nothing beats Kenzo Ca Sent Beau. Created by Francoise Caron in 1988, originally titled, simply, "Kenzo", Ca Sent Beau is a magical alliance of plum, peach, and citrus with one of the more unusual treatments of tuberose on the market. The fragrance has woody facets as well, and spices (cardamom and coriander). It spins off wonderfully from the skin, maintaining this precarious balance between fresh and feral for hours, meandering from rose to gardenia to magnolia to rose. Simultaneously rich and straightforward, Ca Sent Beau is true to its name, smelling ten times better than nine out of ten so-called summer perfumes twice to three times its price. To me it resembles tuberose steeped in orange water.

Some find Ca Sent Beau challening. I can see that, if by challenging you mean unusual or unique. As I smell more fragrances and my nose becomes more accustomed to the perfumer's palette, many fragrances smell like another, and are distinguished by subtle grades of difference. Ca Sent Beau is like nothing else.

Friday, July 10, 2009

TWRT 7.10.09

This Week's Random Thoughts ~

I love seafood. I grew up in New England so perhaps it was inevitable. But when I eat seafood in a restaurant I always feel like I should hide my plate. Most of my friends find calamari, oysters, lobster and shrimp disgusting so I feel self concsious about eating these foods in public.

True Blood is SO GOOD. Nurse Jackie (Edie Falco) is also a great show.

While I was away on vacation I decided to pack light and brought only (3) 10 ml decants. I was bored out of my mind by mid-week with only 3 perfumes.

I’m working through a large number of DSH samples in order to select additional DSH fragrances for The Posh Peasant’s inventory. Obviously, we can’t carry all of them, because she has such a vast array of scents, so it’s becoming really hard for me to narrow it down to a short(ish) list. So far, I’m extremely impressed with Tamarind Paprika, Piment et Chocolate, Bois du Chocolate, Giardini Segreti (a lovely white floral) and Parfum de Luxe. Three of the DSH perfumes we carry already that I find exceptional are American Beauty, Celadon Green and Tubereuse. Dawn’s Tubereuse is magnificent. I noticed BeautyHabit began carrying a few of her fragrances and Tubereuse is among them.

I’m looking forward to the new Estee Lauder Private Collection – Jasmine White Moss.

Serge Lutens La Myrrhe is an oddly addictive fragrance.

I love the ceremony of English Tea. This week I ate tea sandwiches several times for lunch. For those in the U.S., the secret is to buy Pepperidge Farm *extra thin* bread, cut off the crusts, and thinly layer both slices of bread with butter and sprinkle just a tad of salt and pepper on the butter. Then add razor thin slices of cucumber, tomato and egg ‘n cress. So delish!

I’m very excited about the two new Parfum d’Empire scents: Wazamba (Love the name) and 3 Fleurs.

I laugh to myself nearly everyday when I read comments on Now Smell This and there’s a long litany of cranky people complaining about the price point of expensive perfumes. Of course I would prefer to be able to afford every perfume I wanted, but my goodness, it seems so whiny, to complain about every single new expensive release. Perfume is a luxury item, is it not? If it were toilet paper which was so expensive, then I’d join in, but it’s perfume, folks.

It’s too bad Turin and Sanchez aren’t writing any more installments to The Guide. I thought this was their job? I didn’t realize they had other things going on.

Do you recall back in the 80’s (I think) when studies were done on mice to find whether Saccahrine was dangerous to human health. It turned out that Saccahrine was found carcinogenic to the mouse. Later many people dismissed this finding because they said the mice were given loads upon loads of the substance, more than any normal mouse could ever consume. Sometimes I think of this analogy with perfume. To the normal person, perfume probably isn’t harmful, but what about those of us who wear 4 different fragrances every single day of our lives?!

See the photo above? It’s not a cracker but a facial sponge. I cannot believe I’ve lived as long as I have without using these sponges. Ever try to remove a clay mask with simply your hands and water? What about a cleanser that doesn’t foam but goes on like lotion? These facial sponges are my new favorite discovery this week. (I realize I’ve been daft for quite some time).

Beverage of the week: Pour pure mango juice to fill approximately 1/4 of glass. Fill remaining glass with diet tonic water. Add lemon wedge.

Tuesday, July 7, 2009

Dawn Spencer Hurwitz: Celadon Green, Revisited

In the span of our lives, if we’re lucky enough to live to a ripe old age, one year seems so fleeting, so inconsequential, so brief. As an adult, I can sadly say I’ve wasted full years of my life. When I was a child I remember how one year seemed a vast expanse of time; an enormously lengthy period that would take ages to conclude. I remember thinking Christmas would take forever to arrive or that summer vacation was so very far away. When I was around 11 years old and wearing the obligatory ‘training bra’ and waiting for my first period to arrive (a la Are You There God? It’s Me, Margaret) every day seemed an eternity. I thought I would never grow up, things moved so slowly back then.

As the years have moved past I’m beginning to cling to every moment. As I reflect upon the past year, I’m amazed at how much I’ve changed. Just focusing on one aspect of my life, my interest in perfume, I can see how much I’ve learned, I’ve smelled, I’ve experienced, grown and spent (!).

About one year ago, in June, I wrote a review of DSH Celadon Green. At the time, I wasn’t nearly the green fragrance aficionado that I am now. Looking back at this review, I’m surprised at how well I described this fragrance. Everything still stands as true for me, except for the fact that I now think Celadon Green is much, much more exceptional.

In the span of twelve months, I’ve smelled and worn so many green perfumes. I revisited many of the classics, such as Chanel No. 19, Balmain’s Vent Vert, Guerlain’s Sous le Vent and Ma Griffe. I sampled all sorts of leafy greens like Diptyque’s Eau de Lierre, Hampton Sun Privet Bloom, Byredo Green, Chanel Bel Respiro and Diptyque L’Ombre dans L’Eau. Then there were the “green-ish” fragrances, by which I mean scents with a predominantly green flair but other spotlighted notes like citrus, florals or tea; these were, Bulgari au The Vert, Annick Goutal Folavril, Gucci Envy, Creative Universe Te, L’Artisan’s The Pour Un Ete and Jean Patou Vacances. Then I discovered a category of green that floored me. It was Gobin Daude’s Seve Exquise and Sous Le Buis. I came upon these too late, as Gobin Daude had already been woefully discontinued and these two fragrances are now impossible to find. Seve Exquise and Sous Le Buis were ground breaking for me. These were green scents that didn’t just smell like sharp, vegetal, green “things” like leaves or grass but instead a gentle abstract idea of the essense of green. I’ve been lamenting the disappearance of Gobin Daude fragrances for months now.

Suddenly, just a few days ago, when I wore DSH Celadon Green, it occurred to me how similar it is to these Gobin Daude fragrances. I’m not implying that Celadon Green is a copy of Seve Exquise, but it is decidely in the same scent family. Dawn Spencer Hurwitz has created such an enormous number of fragrances that it can be overwhelming to figure out which to try. I certainly haven’t tried them all but after a solid year of sniffing I must say she is a brilliant perfumer. Chandler Burr wrote a piece about DSH which was quite complimentary but I don’t think he even reached the tip of the iceberg – which is that she’s created some absolute masterpieces. Celadon Green is a masterpiece in the genre of gentle abstract green fragrances. It reminds me of the precious beauty of nature, of life, birth, and death. Celadon Green conjures me at 11 years old, just budding, slowly unfurling, full of wonder and impatience. Celadon Green smells of existence, of time passing, and reminds me to live.

Rating: 5 Stars
Longevity: Average (about 3 hours)
Sillage: Soft/Average

The image is a painting by Helen Frankenthaler called Spring Veil. Dawn Spencer Hurwitz has said this painting was part of the inspiration for Celadon Green.

Monday, July 6, 2009

Serge Lutens La Myrrhe: A Review

Am I the only person who finds La Myrrhe reminiscent of Chanel No. 5? For me, La Myrrhe smells like a Lutens/Sheldrake homage to No. 5, with their characteristic twists and bold signatures, of course.

Aside from the similarity with No. 5, La Myrrhe is an enigma. From the start, it’s sheer and bright, it leans toward bitter, and, to be blunt, medicinal. But then it’s also resinous (the myrrh) and there’s a hesperedic layer throughout the fragrance and an almost (very feint) marzipan paste.

Is La Myrrhe difficult to describe? Yes. Is it what I expected it to smell like? Not at all. When I think of myrrh itself, I imagine Diptyque’s L'Eau Trois, which is my favorite myrrh scent. I also have Annick Goutal’s Myrrh Ardente, which didn’t work out for me, it smells nice, like woody rootbeer, but not as I’d hoped. La Myrrhe doesn’t smell like myrrh essential oil, as you might expect, given it’s name. It is most definitely the aldehydes that remind me so much of Chanel No. 5. La Myrrhe starts off with a great soapy aldehydic pop which lasts for the first hour.

Like several Serge Lutens fragrances, La Myrrhe is not to be evaluated upon first sniff or even the first hour. After the aldehydes burn off, the fragrance changes. It loses it’s soapy aldehydic pop and instead turns sweetly spicy, like spiced Coca Cola, with anise and woods. This combination is generally what myrrh smells like – it isn’t a mistake that there’s a Coca-Cola/root beer vibe.

La Myrrhe has such stark duality that I imagine there are many who would either love the opening and dislike the dry down or vice verse. I happen to like both, the aldehydic start and the sweetly spicy dry down, but overall I like this fragrance, I don’t love it.

La Myrrhe clearly conjures a vision of a certain type of woman for me. She’s the offspring of proper wealthy ladies who have worn Chanel for decades but this lady prefers not to flaunt her wealth. Instead she exudes a bohemian charm, with chunky jewelry, loose wavy hair and maybe even a tattoo. Ignoring her politics, personality and history but based solely on appearance I imagine Angelina Jolie wearing La Myrrhe. It needs to be mentioned that La Myrrhe makes an excellent masculine as well.

Minimal sillage but long lasting overall.

Notes: Mandarin, bitter almond, sandalwood, myrrh, honey, jasmin, amber, musc

PS: I just came across the shoes and loved them. Made by L.A.M.B, called Tegan Pumps, available at Nordstrom. Since I couldn’t find a good photo of a La Myrrhe bell jar and I did not want to assault you with yet another photo of the overexposed Jolie I went with the shoe image. And, I do image La Myrrhe wearing nicely with these shoes.

Caron Nuit de Noel

I don't need you to tell me this is the wrong time of year to be reviewing this fragrance. The spiced, nutty, soft florals of Nuit de Noel are diametrically opposed to the heat of summer. But it's on my mind. Yesterday, I was at my aunt's for lunch, and she started talking about my grandparents--how wonderful they looked when they got dressed up to go out, how chic. My grandfather was handsome when he was young, she said. My grandmother has good taste.

My grandmother died ten years ago but my aunt has started talking about the dead in the present tense. Her cousin died last year but is very strong and good at getting around. Her brother died right before her mother, a brain tumor, very sudden, but he lives in her mind as a constant, vivid presence. The impact these people had on their environment persists in the present for her, however long gone the source. In the last year, I've noticed myself referring to people I know with someone else's name. My grandmother used to do this. She addressed me as all of my uncles and male cousins before finally getting it right. I had three uncles and countless male cousins, so this took a while. Eventually, she never got it right, and had no idea she was off the mark. I refer to my grandmother as Nana, my childhood understanding of the Italian term, Nonna. This kept confusing my aunt, who thought I was talking about her grandmother. It's funny how tricky words and memories are, how the past lodges in the mind, altering, confusing, or influencing the present.

My aunt talked about the perfume my grandmother wore on the special occasions she dressed up to go out. It was in a green, tasselled container flecked with gold--maybe. She wanted to say it was called...Christmas Eve? No, she was almost positive. The thought that my grandmother and I might have been connected by the love of a perfume sent an electric charge through me, but I sorted patiently through the questions necessary to narrow things down. Listen, I finally said, there's a wonderful fragrance called Nuit de Noel. Could that have been it?

My aunt was insistent that, no, it hadn't been French. Okay, but was the name printed on the bottle, I asked, wondering if maybe my grandmother, knowing the French name, used the translation when discussing the perfume with her daughters. Then too, Caron issues special editions in crystal flasks and such around Christmas, so perhaps the name wasn't on the bottle. My aunt couldn't remember. Like me, she remembers going into my grandmother's room as a child to admire the bottles on her dresser. I don't remember the green tasselled container. I do remember the white and black herringbone of Miss Dior, and how it set the tone for my grandmother's room, with its plush, pastel and cream area rug, its floor length, satin curtains, the moss greens and rose and faint blues, the gold filigree tray on her dresser, the air of quiet in there...

And what did it smell like?

Oh, well it was subtle, my aunt said. It didn't shout. You got up close to her and you could smell it. She dabbed it, just a little, on her neck, and it radiated. Very warm. I remember it in my head, she said. I can conjure it like it's here now. But I can't describe it so well. When she got up to go to the bathroom, I looked Nuit de Noel up on the computer. I did a search under "Nuit de Noel bottle" and up came an image of that gorgeous, almost macabrely elegant black deco bottle beside its green case, a moss-colored tassel the size of the whole affair decorating one end. When my aunt emerged I asked her if this was the perfume she remembered. Her excited, affirmative reaction made me feel as though I'd found a long lost relative, or brought forth a ghost. I had, in a way. She wants a reunion and has asked me to track down a bottle just like that one. She'll pay the price.

My grandmother was a classy but no nonsense Northern-Italian immigrant. Her family came from Lucca. She was always impeccably dressed. Assimilating into the ways of the South was difficult at times, as she was much more headstrong, less frilly than what was expected of the Southern Woman. She was dark haired and olive skinned with Greco-Roman features. Southern women, as a rule, were expected to retreat, like pretty wallpaper you had the choice of noticing--or not. My grandmother didn't retire--even if she'd wanted to, in the context of the South, her looks emphasized her difference and presence emphatically. She came forward in almost every situation. She was a fierce, opinionated friend and a withering adversary when her bullshit detector was alerted. "Look at her in her stupid pearls," she used to grimace when Barbara Bush came on the news, making it clear she could barely stand to look at her. Like many Southern women, my grandmother had her hair done once a week. Her house was just so. But she had a unique style, almost masculine in expressing its femininity.

I don't remember smelling the Miss Dior on her, which makes me wonder if someone had given it to her, whereas Nuit de Noel makes perfect sense. No white florals for her. No sweet nothings. Nuit de Noel, like my grandmother, is solid yet subtle. It expresses a singular point of view. Nutty to the point of smoked, barely floral, softly spiced, it feels like an expression of character, something you observe or perceive emotionally rather than smell, the kind of scent which might be some strange manifestation of the wearer's bedrock identity rather than something they dabbed on. For my aunt, Nuit de Noel was my grandmother, and having her own bottle will mean communion with the afterlife. Here's hoping this doesn't confuse her further.

Sunday, July 5, 2009

Lettuce Love the Vegetable Scents of Summer

Apparently I love the smell of vegetables. Two of my all-time favorite scent notes, especially during the hot & steamy months, are mimosa and tilleul (aka linden or French lime blossom). In case you’re looking for recommendations for amazing mimosa soliflores they are Parfums de Nicolaï Mimosaique and L’Artisan Mimosa Pour Moi. The best tilleul fragrance I’ve ever comes across is Parfums D’Orsay Tilleul which I literally bathe in on hot days; Jo Malone’s French Lime Blossom is also nice but you can also get by with a cheapie from Provence Sante called Tilleul (of all things). I’ve read reviews about my favorite mimosa and tilleul soliflores on other blogs and found that many folks notice a decidedly vegetal quality to them. I wouldn’t have noticed this cucumber association had it not been mentioned, but, as it goes with the power of suggestion, now I do. Cucumbers don’t really smell like this – it is the fragrance industry’s translation of cucumber that people are smelling. Nevertheless, I think most of us can identify the scent of cucumber, tomato or other vegetal aromas in our fragrances.

It’s July, therefore it’s steamy hot in Jersey, so I’m loving Roger & Gallet’s Lettuce soap, as well as their Tilleul shower cream and body lotion. I adore Miller Harris Geranium Bourbon and Annick Goutal’s Folavril which both smell like the most refreshingly joyous tomato plants and geranium leaves. If you had a vegetable garden growing up or have one now and love the scent of tomato plants, you really must try both of these fragrances. I also have a gigantic vat of Marc Jacobs Cucumber body splash, which is a nice scent, but needs to be applied about six times per day, which isn’t something I usually get around to doing.

I think most hardcore perfume aficionados might balk at these vegetal scents and not consider them “real” perfume. In a way, I understand that, because I wear these scents during the hottest days when I can’t bear to wear a true perfume. Nevertheless, I love me some lettuce…and tomato….and cucumber…when the thermostat
rises.

Oh, and don't even get me started on this brand I just found at Williams Sonoma called Cucina. They have a hand wash and lotion that smells like zucchini flower...

Cartier Panthere

I'll have to revisit it in the winter, but for now Le Baiser du Dragon is a disappointment, a murky vetiver and amaretto melange. I'd expected to like it. Maybe many people were expected to like it, and that's why it fails to raise hairs. The real surprise for me has been Panthere. Like Baiser, it has great packaging. That panther on the lid is gen-yew-whine glass, as heavy by itself as the bottle, the faceted body of which sure is pretty to look at. Unlike Baiser, Panthere isn't just superficially distinctive.

Panthere uses tuberose wonderfully, adjusting it with a soft woodsiness that truly tames it, though while giving the impression it might at any second pounce forward. That's an interesting tension. I love tuberose but, as oft-mentioned, it almost as a rule seems to take over a composition. Before Panthere, I would have sworn there was no such thing as a fragrance with tuberose which wasn't a tuberose soliflor. Juicy Couture augments tuberose with salty watermelon. Poison adds dates and spices. Fragile zests the note with crushed greens and citrus. While only Fracas captures the buttery rubber quality of the real thing, all of the tuberose fragrances I've smelled are unmistakably tuberose.

Panthere is an exception. Decidely old school, it has a masculine affect, speaking floralese in a slinky baritone. Everything is just so, everything as it should be, making this kind of thing seem a matter of attention to detail. If so, not many perfumers are paying attention. More likely, this kind of balance requires exceptional skill, imagination, and patience. Tonka and patchouli are discernable in the base, but there's a delicacy to the composition that many of Panthere's eighties contemporaries lack. The patchouli, particularly, has a light touch, allowing the tonka's hay-like properties to emerge. Labdanum warms everything up, contributing hints of leather, subtle smoke, moss and honey. There's a suggestion of amber but only a whisper, virtually subliminal. Judging by revews online (what few there are) others register the amber more forcefully.

There's also an eau legere version, which smells nothing like Panthere original--not even remotely. Panthere is very hard to find now, often fairly expensive, and worth it, in my opinion.

Magenta Backdrops: Versace Man

When I first smelled Versace Man, a little less than a year ago, I compared it to Guerlain L'Instant Homme. I sought out similarities between the two, comparing them as if they were immediate neighbors on some imaginary continuum. Ultimately I made facile connections. Versace was a good time at the disco, hairy chest sweating, shirt open to navel, gold chains, something like Armand Assante on a bender. L'Instant was closer to Fred Astaire, all buttoned up, impeccably turned out, never broke a sweat, skillfully gliding around like sleepy background music.

I doubt I would ever have considered these two in the same breath had they not arrived in the mail at about the same time, because, smelling them now, I see the only tie that binds them is a refreshingly femme-coded approach to the masculine: spice and woods through a veil of soft florals. When you spend a lot of time smelling fragrance, many things start registering as vaguely similar. Twenty tuberose fragrances, a thousand vetiver bases. A rose is a rose is thirty different perfumes at once.

Which isn't to say there's nothing to recommend Versace Man. But you smell so much that sometimes the finer points get lost. You overlook things, make snap decisions without realizing how rash they are. I always liked Versace Man, even when I rotated it to the back of my cabinet. I just never wore it--or decided I never would. It smelled enough like L'Instant, and L'Instant was Guerlain and, well, Versace is, as the white trash protagonist in Showgirls says, "Versayce".

Versace Man might still be at the very back of my cabinet had I not totally reorganized it last night. Finding it, I sprayed some on. I'd forgotten how much I loved the fragrance when I first smelled it. I hate so many masculines; like many feminines, they seem more an advertisement for or a reinforcement of gender, beating you over the head with their crudely contoured olfactory propaganda. It often seems the only way to get around this is to totally subvert their intended application. Poison smells like the eighties on women. On a man, it smells like the future. A guy in lily is a total collapse of sensory expectations. Modern masculines, even supposedly feminine masculines, often fill me with a nagging despair I liken to nerve gas, from which only tuberose can sometimes rouse me and clear the air.

I won't call Versace Man radical, but whoever came up with it (art directed by Donatella, created by...who knows?) seemed to understand the power of gender f*@-ing, the lure of slightly misaligning things, and this sensibility immediately distinguishes the fragrance from almost everything else currently on the same proverbial shelf. It smells even more like a departure when you learn it came out in 2003, well ahead of the current trend for masculine florals. Versace Man is unquestionably a precursor to Dior Homme, though Givenchy Insense predates it by a decade.

I do get a little of the neroli in the opening. I get none of the general fruitiness or synthetic buzz some register. From the start, I get just about everything else listed in the pyramid provided by Basenotes. For me, Versace presents one of the more attractive, intelligent uses of saffron in a male fragrance. This softens the whole affair in just the right measure. Cardamom and pepper are used so skillfully and judiciously you might think you've never smelled them properly before. Amber, labdanum, and tobacco notes waft up throughout.

No vetiver is listed but there's a ghost of it there, like a phantom limb. This is perhaps what vetiver smells like after a night of coitus with cosmetics, an Indian dinner date, and someone else's scent of choice. Versace has good longevity and moderate projection. It's the kind of fragrance others get closer to you trying to smell. It diffuses like the smell of sex around an unmade bed, daring you to make the connection. Part milk, part powder and spice, it exudes some of the dissonance found in more animalic fragrances without actually going there. It holds up in the summer. In the winter, it has stealth properties. And it has a little more Astair in its Assante than you might first ascertain.